{"created":"2023-06-20T15:23:15.056967+00:00","id":920,"links":{},"metadata":{"_buckets":{"deposit":"3d0ffdce-3bb8-431e-9e6b-4e56e8ff16d0"},"_deposit":{"created_by":3,"id":"920","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"920"},"status":"published"},"_oai":{"id":"oai:kyotogakuen.repo.nii.ac.jp:00000920","sets":["96:119"]},"author_link":["1045","1044"],"item_2_biblio_info_12":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2011-03-01","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"2","bibliographicPageEnd":"56","bibliographicPageStart":"43","bibliographicVolumeNumber":"20","bibliographic_titles":[{}]}]},"item_2_description_10":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"「アメリカのイプセン」と称される James A. Herne には、アメリカ演劇におけるリアリズムを推進したという功績が称えられる一方、その独自性を疑問視する声もある。そのような批評は、１９世紀アメリカにおける代表的なリアリズム演劇と位置付けられる Herne  の Margaret Fleming（1890）が、しばしば Henrik Ibsen の A Doll’s House(1879) とプロット上で類似点が指摘されていること、それ以前の Herne 戯曲が慨してメロドラマ的であり、 Margaret Fleming におけるリアリズムへの転換があまりに急激であるという指摘がされていることに起因する。しかし、Herne は、アメリカのニューイングランドという地域を舞台に、その地方の住人の日常生活に題材を求めたことにおいて、アメリカ的リアリズムを推進したと言ってよい。本論では、以上の点を踏まえ、アメリカ演劇におけるメロドラマからリアリズムへの転換に、 Herne 戯曲がどのように貢献したかという点を明らかにしたい。","subitem_description_type":"Other"}]},"item_2_description_15":{"attribute_name":"表示順","attribute_value_mlt":[{"subitem_description":"3","subitem_description_type":"Other"}]},"item_2_description_16":{"attribute_name":"アクセション番号","attribute_value_mlt":[{"subitem_description":"KJ00007986959","subitem_description_type":"Other"}]},"item_2_description_8":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_type":"Other"}]},"item_2_description_9":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_type":"Other"}]},"item_2_source_id_1":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AN10373395","subitem_source_identifier_type":"NCID"}]},"item_2_text_6":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"京都学園大学経済学部"}]},"item_2_text_7":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Department of Economics, Kyoto Gakuen University"}]},"item_2_title_3":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_title":"メロドラマ ト リアリズム ノ キョウカイ James A. Herne ノ リアリズム エンゲキ ニ オケル ドクジセイ"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"古木, 圭子"},{"creatorName":"フルキ, ケイコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"1044","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Furuki, Keiko","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"1045","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-06-07"}],"displaytype":"detail","filename":"20-2-furuki.pdf","filesize":[{"value":"2.1 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"20-2-furuki","url":"https://kyotogakuen.repo.nii.ac.jp/record/920/files/20-2-furuki.pdf"},"version_id":"004effbc-8476-49c2-be77-f5dc3577a6bc"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"リアリズム演劇","subitem_subject_scheme":"Other"},{"subitem_subject":"メロドラマ","subitem_subject_scheme":"Other"},{"subitem_subject":"自然主義","subitem_subject_scheme":"Other"},{"subitem_subject":"南北戦争","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"メロドラマとリアリズムの境界-James A. Herneのリアリズム演劇における独自性-","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"メロドラマとリアリズムの境界-James A. Herneのリアリズム演劇における独自性-"},{"subitem_title":"The Boundary between Melodrama and Realism: The Originality of James A. Herne's Realism","subitem_title_language":"en"}]},"item_type_id":"2","owner":"3","path":["119"],"pubdate":{"attribute_name":"公開日","attribute_value":"2016-08-09"},"publish_date":"2016-08-09","publish_status":"0","recid":"920","relation_version_is_last":true,"title":["メロドラマとリアリズムの境界-James A. Herneのリアリズム演劇における独自性-"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-06-20T15:37:46.901223+00:00"}